Along with a clever name, Patsy Decline also have a stellar album out

By ROBERT DUGUAY
Posted 10/18/23

Within the music scene in Rhode Island, there are various communities, which can be even referred to as sub-scenes in some instances. One of them is centered around 75orLess Records, which is an …

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Along with a clever name, Patsy Decline also have a stellar album out

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Within the music scene in Rhode Island, there are various communities, which can be even referred to as sub-scenes in some instances. One of them is centered around 75orLess Records, which is an indie record label based in Warren that’s been a cultural staple in The Ocean State for over two decades. There’s always something cool coming out of their roster, whether it’s alt-rock, power pop, noise rock or absolute weirdness. Echoing the first two styles I just mentioned, Patsy Decline released a self-titled album via the label back on September 14. If you’re the type who enjoys steady drums, rock solid riffs and charismatic vocals, then this is ideal listening material.

The quartet consists of William Gorman and Ray Memery as co-vocalists and co-guitarists, Jack McKenna on drums and George Sullivan on bass. Together these four individuals have an harmonic and melodic cohesiveness that’s consistent throughout the album. This sonic display is captured excellently by Memery’s engineering at Shangri-Lo in Cranston, which I’m guessing is his own personal studio. I really like how the songs have a real essence where each instrument and element has a substantial presence. Each song has the ability to leave a lasting impression due to the catchy arrangements, and it’s the kind of catchy that’s pleasant and isn’t annoying. 

“The Price” starts the album off with the guitars setting the tone with the right amount of emphasis. A great example of the catchiness I just mentioned is “The Other Way," I know the chorus is going to stick with me for the next few weeks and I’m not dreading it. Another track where the riffs have a major effect is “The Modern World” while accurately painting a picture of life’s hustle and bustle through the lyrics. I also like “Mt. Fog," “Flames and Waves” and “Let Nature Run It’s Course." This self-titled release feeds off of a singular aesthetical foundation with the sounds branching off into various directions and creating a genuine listening experience.

To fully absorb what I’m talking about, you can log on to Patsy Decline’s Bandcamp page at patsydecline1.bandcamp.com to give it a listen and while perhaps giving it some monetary compensation. While you’re at it, check out 75orLess Records’ website at 75orlessrecords.com and dive into the rest of the music they’ve been putting out over the years. I can safely guarantee that you’re bound to become a fan of at least one of the bands and musicians they’ve worked with. In the meantime, start by plugging in and diving into this album I just wrote about. It’s rock & roll for today’s day & age and all you have to do is press play.

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